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Symphonie Celtique
''Symphonie Celtique'' ("Celtic Symphony"), subtitled "Tir na nOg", a folk-rock album by Alan Stivell, originally released as a double LP in 1980 by CBS France, catalogue number CBS 88487. In 1987, it was published by Rounder Records in CD 11523.〔(Celtic Symphony - Tir Na Nog on discogs.com )〕 Digitally remastered and reissued on CD by Disques Dreyfus, catalogue number FDM 36196-2.
Composed entirely by Stivell, featuring instrumental arrangements by Stivell assisted by Christopher Hayward and Michel Prezman, and with over 70 musicians contributing, this was a large undertaking. As well as embracing the classic Stivell fare of Breton, Scottish and Irish instrumentation, this early nod at world music includes oriental and African sounds as well as a full orchestra and lavish production values. On the original vinyl release, the "three circle" symphonic construction was emphasised in the track listings to a greater extent than with the subsequent CD reissue.
The original double LP was packaged in a gatefold sleeve whose interior featured a still from the Roman Polanski film ''Tess'' depicting Stonehenge in the mist.
== Reception ==
Stivell, further back in France, reached a European then global reach.〔André-Georges Hamon (pref. Glenmor), ''Chantres de toutes les Bretagnes : 20 ans de chanson bretonne'', Paris, Jean Picollec, coll. Biblio Celtique, 1981, p. 465〕 In Italy, class Stivell 52nd best rock musician of all time ("Best Rock Musicians of all times") in the "String / Wind" category. Italian free radio stations broadcast his music, which led him to play in the wake before 11,000 people in Rome and 14,000 in Milan. In Spain, the magazine'' España'' considers that "Stivell gave the result of a disk that is absolutely owning".〔 "Musico francès rock folk celta", ''España'', "...Stivell mis diero como resultado un disco que bien value la pena tener"〕 In Great Britain, Andy Morgan believes that "Stivell's early crative development reached a climax with the staging of his ''Symphonie Celtique''. Is the ultimate expression of everything Stivell felt about his Celtic roots and their place in the vider cultural context."〔Anny Maurussane and Gérard Simon, ''Alan Stivell ou l'itinéraire d'un harper hero'', Culture & Celtie, 2006, p. 137〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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